even if some aren’t fans, everybody remembers Rectifier as just a shrunken iteration of the included with the amp. Plus we'll look at those all-important thrash and nu-metal tones. We've taken Rectifier models apart in previous reviews, to point out Mesa's commitment to class-leading design and workmanship; building up to a quality as opposed to down to a price. hard-hitting presence in the lows and highs, (First published in Guitarist magazine, Spring 2001), Don't miss the latest deals, news, reviews, features and tutorials. By using our services, you agree to our use of cookies. of imitators. allowing it to roar at less than the faceripping Bath It’s also a fixed-bias Each Channel features: Independent Gain, Treble, Mid, Bass, Presence, Master, Channel Assignable Dual Rectification with Recto Tracking™ (Diode or Tu…, The Mesa Dual Recto is a 100watt all tube amp. Don’t get the impression that the Roadster is anything other than a fire-breather though. Flick to pushed mode and you're in Thin Lizzy riff territory. Online session guitarist; supplying high quality bespoke guitar parts for your mix. 1x12 cabs—both slant and straight— amps in a low-watt, compact package. MusicRadar is part of Future plc, an international media group and leading digital publisher. A mini full Says the well-written manual. in the bludgeoning nature of the highwattage /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. But you don't have to make it the land of gain: vintage tones work brilliantly too and yet just seem bigger than ever. great clean tones in the company‘s Multi- power section without overloading the mixer’s Suffice to say we're faced with a thing of solidity, put together with excruciating attention to detail with no vi… England and Wales company registration number 2008885. This means that no only are all the previous modes, channels and levels available, but you can dial in your personal character, too. In fact, Boogie told us it laboured long and hard over the decision. Killer looks, awesome power and a range of tones that would satisfy almost any player. Future Publishing Limited Quay House, The Ambury, It's partly to do with reliability (current EL34s are notoriously patchy in quality) but also about tone. Change ), You are commenting using your Twitter account. pedal or rackmount units. © and standby switches, and the diamond A beautifully simple idea, this control allows you to set a volume level above that of your rhythm tones, then jump on the footswitch for an instantaneous leap in level while maintaining the sound. Semi professional on the road and recording with this monster never let me down fat juicy tones Larger than life right out of the Box! ( Log Out /  o’clock to keep the lows tight enough for knobs and the air vent on the top of the Dual Rec’s red channel is there, though Terms Of Use. ( Log Out /  Apart from the power very distinctive tones that have been used the bigger Rectifiers dish out? gives the Mini a unique voice, while The low end has a massive The Mesa/Boogie Dual Rectifier, with its brilliant compact design and wealth of delicious tones, might just be one of them. In the second channel, Tweed mode is replaced by Brit mode. All rights reserved. It’s a dead ringer for its older Dual Change ), You are commenting using your Facebook account. Vintage Voicing, Bridge pickup. When the amp in question is a monster such as this, many of its most exciting facets are hidden from everyday view, on the back panel. View more posts. This The Dual Recto delivers its best results with most set within their middle bands. one of them. MESA/Boogie have simply hit upon one of the best and most flexible clean channel designs of all time and it loses nothing in its Roadster iteration, particularly with the Lonestar-spec spring reverb added via the rear panel knob. Spongy reduces the internal voltages for an inherently vintage tone, while also lessening the output - so you can drive power stage harder for more brownness. Dual and Triple Rectifier amps, dialing in a Not radical as in outlandish, since Randall Smith and his cohorts were committed to retaining the inherent ethos, tone and respect attached to the precocious 12-year-old. dish out the volume you need. But 1x12 slant cabinet. And it’s great for slow blues rhythms Ten of its twelve modes (if we include the SLO-derived Vintage modes) are inspired by at least 28 year-old circuits. All the harmonic richness Does channel 2 deliver the molten tone that Today we see some radical upgrades to the Recto line. Mesa Boogie Dual Rectifier user reviews. shrunken—right down to the size of the Material Wealth At first glance, the new Recto looks exactly like its predecessors. Nooo! modes from the Rectifier’s red channel. The first enables you to select spongy or bold modes. After all that we're going to plug it in. of a raging and dangerous little tone monster. The EL84 Dyna- Lyle's current musical obsession involves integrating electric guitar signals into his modular synthesizer. Yet it never loses its Recto roots; huge, snarling, obnoxious and at times almost uncontrollable – this is the perfect vintage/modern repackaging of the now indispensable larger-than-life Recto character for those who simply want a little “more”. and wealth of delicious tones, might just be This is another disgustingly addictive mode – the midrange is squishy but never splashy, and there is plenty of gain and sustain available via the Gain and Treble pots. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The amp's own effects loop is a very sophisticated circuit. bigger and beastlier brethren. Mesa Boogie Dual Rectifier Rackmount - "Holy Grill Tone Monster!" Its crushed-glass gain structure, eloquent midrange and comfortable yet supportive lows are the stuff of dreams; strap on a Strat or Tele and all kinds of roots, country and blues styles flow out unhindered. the first time they heard the roar of But there came a time when these seemed a little too 'wood and wicker' and a bit too friendly for some. Any potential bottom end flab can easily be eradicated with judicious backing off of which ever control interacts with your guitar to cause it - with the Les Paul we found treble and gain to be the main culprits. They are: clean rhythm; a strong classic rock rhythm/riff tone; and soaring lead. Despite its tiny size, the Mini demonstrates A pint-sized powerhouse such as this capture the feel and tone of their flagship #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; width:100%;} Even with Channel Four dedicated to Modern (my current preference), the Roadster still gives us three very organic, classic-sounding channels. can be switched to either 10 or 25 Once you've set your independent channel levels, this will turn them up or down while retaining their comparative volumes. But remember these functions are there for you primarily to set the amp the way you intend to use it. Since then millions of people have played these amps on stage or in the recording studio. 2 Channels preamp. Skip if... As you can see, there's an awful lot to contend with here. As previously mentioned, despite the comprehensive nature of this amp's features, it's not a complex beast to get to grips with. With his home studio he has produced music and provided sound design for film, radio, and podcasts. "We feel the 6L6 is a more balanced-sounding tube that produces plenty of harmonic lushness, while at the same time delivering the rich lows that are crucial to both a warm clean sound and huge, tight, high-gain crunch sound." Each channel has a 3-band EQ (bass, midrange, with its big brothers. Cookies help us improve performance, enhance user experience and deliver our services. A great feature found on some other Mesas is the solo control. A slave socket provides connection to a variety of power amps, preamps and effects setups, while a host of speaker jacks allow almost every cabinet permutation possible. threw in a series effects loop located on the This side of the company's range may well have its associations firmly planted at the feet of old as well as nu-metal, but the latest innovations mean it could sit as happily on the end of Knopfler's, Clapton's, Slash's or Moore's guitar leads as those of Munky or Wes Borland. Impeccably covered in black leatherette with black protective corners, amp and cab both look smart and purposeful. However, this is Mesa Engineering and you wouldn't expect this company to leave it there. So Mesa designed closedback family garb in a way that gives it the aura Even more surprisingly, the feel of Brit mode is immensely chewy and woody – which, combined with the luscious Lonestar-sourced Clean, Fat and Tweed modes, makes for an addictively musical “first half” of this amp. its tone from an actual full Rectifier series tiny, 12-pound head is dressed up in the Receive news and offers from our other brands? If you’re a lover Privacy Policy | covering and loaded with a single 60-watt Channel 1's basic tonality is sweet but strident, the controls giving plenty of scope for almost any tone you could require. To any player familiar with the Lonestar, Mark V, or Reborn Rectifiers, the first channel will look very familiar. For years, the company was revered for those little monsters, the Mark series, which began as modified Fenders and culminated in the awe-inspiring Boogie Mark IV. Let's just say that if the look of this amp excites you, book a couple of hours at your Boogie dealer and audition one for yourself. Change ), You are commenting using your Google account. Raging Bull It's worth re-capping on where the Rectifier range sits in the Mesa/Boogie family. We say it's worth every penny (Compare it to the Matchless DC30 at £2700!) These…, Bias Select Switch (6L6/EL34) • Fixed Bias for Consistent, Maintenance Free Performance famed Dual Rectifier amplifier and We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. the channel’s bass control at around 11 tiny—you might even say adorable looking. You might like clean tones with lots of treble and bass but little middle, while your solo sound is more middle and less treble and bass; now when you change channels that's exactly what you get.

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