Rather than the mythical business of lightning and thunder, we show power generated through electricity as a fantastical thing. It's stylish, ambitious and looks astonishing. Time Out. Benedict Cumberbatch performing as the creature from 30 April at 7pm, to 7 May at 7pm. Frankenstein typically brings to mind gothic imagery and schlocky horror films. This site requires cookies, for account access and ticket Some of the best British theatre was free to watch from the comfort of your living room, via YouTube, with each title available for one week. The smash-hit play based on the beloved novel by Michael Morpurgo, adapted by Nick Stafford in association with the Handspring Puppet Company. We became fascinated by bells and visited a bell foundry in London; we were messing around there and found one that was rung in Shakespeare’s time. changing You have worked with director Danny Boyle several times. The design palette is predominantly grey, white and black but there is a deep red colour in the opening scenes, when the Creature is bornWe wanted a sense of life and had looked at some images of an icy landscape with a drop of blood in the middle; that juxtaposition between the richness of the heat of the blood and a frosty cold world. National Theatre Live makes its celebrated 2011 production available free for online platforms but, rather like Frankenstein's Creature itself, its reviving isn't without its issues. It We used the lights in various ways to shock the audience – Danny’s idea was to have a very visceral engagement with the play. Danny also brought in the musicians Underworld, who he had worked with on Trainspotting; they sampled the bell ringing and amplified it to be pumped around the sound system. Jonny Lee Miller performing as the creature from 1 May at 7pm, to 8 May at 7pm. What is he like as a collaborator?I love working with Danny. Production photos of Frankenstein by Catherine Ashmore. So it was extraordinary fun to be back in theatre, where you can evoke ideas in minimal ways. There were many ideas about how we might give birth to the Creature. The most viscerally exciting and stunning show in town. Did you set out to declutter the story of those ideas with your design?Yes, we walked away from a classic gothic re-enactment. When all of the lights were on full it was blinding – and they hung so close to the audience that they could even feel the heat from them. The Olivier stage is vast and often quite empty in Frankenstein, which exaggerates the sense of lonelinessWhen we first looked around the Olivier, it was stripped bare because it was in between productions. We were also referencing the Swedish vampire film Let the Right One In, which replaced the darkness of a gothic story with a white wasteland. Thank you to all the amazing artists who have allowed us to share Frankenstein in this way, during a time when many theatre fans aren’t able to visit their local theatre. Frankenstein is a stage adaptation by Nick Dear of Mary Shelley's 1818 novel of the same name. All rights reserved. Written and performed by Phoebe Waller-Bridge, this hilarious play inspired the hit TV series and is a rip-roaring look at some sort of woman living her sort of life. James McAvoy returns to the stage in Martin Crimp’s inventive new adaptation of Edmond Rostand’s classic play. Photograph: Tristram Kenton/The Guardian. This site uses cookies. I remember sitting there, looking at Benedict Cumberbatch coming out of it and thinking to myself: “Mark, what are you doing?”. We erected a giant structure on … Opening Hours At this time we were also preparing to do the 2012 Olympics opening ceremony. They looked amazing and alien-like. Read what they do here. Available until 7 May. The actors were brave – they were almost naked and it had lots of cold liquid inside it. Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. If you look at the mid 19th-century [Frankenstein was published in 1818], electricity has an extraordinary change on society. From a designer’s point of view, that’s very exciting. It was inspired by a Jeff Wall photograph that was based on Ralph Ellison’s novel Invisible Man, depicting the character in a room full of bulbs. He’ll come to the first meeting with a pile of books and images to discuss. Both Danny and I started out in theatre and then spent years working in film. We got enticed by the mechanics of the Olivier’s drum revolve, too, which we brought back into use. © 2020 Guardian News & Media Limited or its affiliated companies. But what was it like, alternating characters each performance? At a time when many theatre fans around the world aren’t able to visit National Theatre Live venues or local theatres, we’re excited to bring you National Theatre at Home. Andrew Scott stars in Noël Coward’s provocative comedy, a giddy and surprisingly modern reflection on fame, desire and loneliness. A monster hit . Some directors don’t care as much about the look. purchasing. MembershipsJoin the NT family to receive regular news and exclusive opportunities, American Associates of the National Theatre, Corporate SupportCreative, flexible packages to meet your needs, and ours. Academy Award®-winner Danny Boyle (Slumdog Millionaire, Trainspotting) tells us about directing Nick Dear's stage adaptation of Mary Shelley's thrilling and deeply disturbing classic tale, Frankenstein. It was a refreshing view and just as scary. The elements are used strikingly but very sparingly in the showThat came out of Nick Dear’s script. This recording has been adjusted for YouTube. For the latest updates about live broadcasts or encore screenings near you, get our newsletter. So we had fire, rain, the earth and a sense of discovering nature, finding the world through the smell of the grass and the feel of heat. National Theatre Live: Frankenstein | Trailer Watch the video. One of our first thoughts was: what is the source of power that would allow this life force to be regenerated? There will be half a dozen images in his head before I even get involved, and they stay throughout the project. Running Time: 2 hours, Relive the memories of National Theatre at Home. Find out more about It’s a tricky business knowing how much to put on to a stage and how much to let it breathe. The best theatre and dance to watch online, The best arts and entertainment during self-isolation. He is very visually astute. Frankenstein streams on YouTube from 7pm on 30 April as part of National Theatre at Home. As Danny Boyle’s production is streamed online, its set designer Mark Tildesley recalls putting thousands of bulbs and an ancient bell to shocking effect, •The best theatre and dance to watch online•The best arts and entertainment during self-isolation, Tue 28 Apr 2020 03.00 EDT I could have watched Benedict Cumberbatch and Jonny Lee Miller in a black box. Presented by DryWrite, Soho Theatre and Annapurna Theatre. Both versions of Frankenstein were made available to watch on the National Theatre’s YouTube channel:   This filmed performance is recommended for ages 12 and up. The structure that the Creature emerges from combines an idea of embryonic skin and birth with Leonardo da Vinci’s Vitruvian Man figure. Theatrically-themed gifts, inspired by our plays, our building and our friends, Don't have an account? Also, you don’t have much time to get things on and off the stage or to imply something. National Theatre at Home: Frankenstein Filmed live in 2011 from the stage of the National Theatre in London, this thrilling, sold-out production became an international sensation, experienced by more than 800,000 people in cinemas around the world. Last modified on Wed 23 Sep 2020 10.10 EDT. Danny Boyle (director), Nick Dear (playwright) and the actors reveal all. The steampunk section from Frankenstein at the National Theatre in 2011. Filmed live in 2011 from the stage of the National Theatre in London, this thrilling, sold-out production became an international sensation, experienced by more than 800,000 people in cinemas around the world. The best of British theatre. A co-production from The Old Vic and Headlong. Our play was really like a road movie, a journey from one landscape to another. Order posters from the 1960s to the present day, printed on semi-gloss art paper. We’re all about experiencing theatre together. It was a lot of fun getting that structure to work. looks like cookies are disabled in your browser. We also referenced the transformative use of steam with a steampunk section in the play. We had seen an exhibition by an artist who filled sacks full of seeds and hung them. A thrill. Available for everyone, funded by readers. But Frankenstein is performance-led. The actors complement each other perfectly. On a cinema screen near you. your browser cookie settings. If you continue to use this site we'll assume you're happy with this. It’s quite a precious piece but they loaned it to us and we hung this ancient bell above the audience. We had to be economical because there were so many things to do. 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