This version has been performed a few times live since its release, albeit usually with the original lyrics. In the original vinyl format, it was the last song of side one of the album. [8] The organ entrance signals one of the lyric's main points,[6] that the narrator divides the world into two types of people: those who "give up living / And start dying little by little, piece by piece," and those like himself who find something to live for, which in his case is going racing in the streets. December 9, 1977 was the last day he would record "Racing", although he spent three more days mixing it, March 21–23, 1978. [16] Indeed, automotive enthusiasts have debated whether 1969 Chevrolet models could be ordered, customized, or built to the exact specifications given in the song of a 396-cubic-inch Chevrolet big-block engine with Fuelie Heads and Hurst Performance shifter. For racing in the street We take all the action we can meet And we cover all the north east state When the strip shuts down we run 'em in the street From the fire roads to the interstate Some guys they just give up living And start dying little by little, piece by piece Some guys come home from work and wash up And go racing in the street "[11], During the 1984–1985 Born in the U.S.A. Tour, "Racing in the Street" was first in set list rotation with "Backstreets". In late November and early December, he spent five more days working on the "harp version", which circulated for years among bootleggers, and was finally released as "Racing In the Street '78" on The Promise: The Darkness On The Edge of Town Story. [5] Listening to it live and on bootleg recordings of radio broadcasts the following year, writer Greil Marcus said the performance of "Racing in the Street" following the tour's famed elongated presentation of "Prove It All Night" had captivated his attention and was "the only music I've felt scared to play, and scared not to. Beginning in 1999 with the Bruce Springsteen and the E Street Band Reunion Tour and the subsequent 2000s tours in the Reunion Era, "Racing in the Street" appeared intermittently, often rotating with "Backstreets", "Jungleland", and similarly long, intense songs in a late-in-main-set "epic" slot. A live version of the song from the tour, recorded in 1981 at Meadowlands Arena in New Jersey, was included on the 1986 box set Live/1975–85. [25][26] It was disc jockey Richard Neer's favorite Springsteen song, and when famed New York station WNEW-FM finally gave up on its rock format in 1999, "Racing in the Street" was the last song Neer played.[27]. "Racing in the Street" is a song by Bruce Springsteen from his 1978 album Darkness on the Edge of Town. Under the working title "Dying In the Street", he sang, "Tonight tonight the strips just right, I wanna blow'em all out of their seats, so come out now everyone And we'll go racing in the street, Yes come on out now little one and we'll go dying in the street, Yes come on out now everyone and we'll go dying in the street, Look at me it's true Baby what else can we do, Racing in the Streets..."[3] According to studio records at both Atlantic and the Record Plant, eight days were devoted to "Racing In the Street" during August 1977, and with a final total of seventeen, the most spent working on any song during the sessions. [6] Structurally, the song is also influenced by Van Morrison's "Tupelo Honey". This began the practice of the band playing a much longer coda part after the lyrical section concluded. [6] Midway through, Danny Federici's organ later joins in, combining to form what writer Robert Santelli termed "one beautiful, seamless sound". The protagonist of "Racing in the Street" using his fast car as a means to escape the city and responsibility, while the protagonist of "Fast Car" is using her fast car to approach the city and responsibility.[10]. [6] The girlfriend the protagonist apparently won from a competitor in one of his races does not share his dream of going racing in the streets. However, due to legal proceedings with his former manager, recording sessions for his fourth album did not begin until June 1, 1977. Then, once "Rosalita" was dropped as the standard second-half main set closer, "Racing in the Street" often served in its stead for a while,[29] although by the 1985 U.S. stadium leg it was gone. [22], Springsteen biographer Dave Marsh has called the song "the line of demarcation separating casual Springsteen fans from the fanatics," with the former considering it yet another sign of Springsteen's car metaphor obsession taken to an extreme, while the latter consider it "maybe the best thing Springsteen has to give. In the opening verse, the protagonist's car is a 1932 Ford instead of a 1969 Chevy. The song has been called Springsteen's best song by several commentators, including the authors of The New Rolling Stone Album Guide. The song has been called Springsteen's best song by several commentators, including the authors of The New Rolling Stone Album Guide. "[5] The 1978 performances of the song typically segued into "Thunder Road". [1], Springsteen started writing "Racing In The Street", shortly after the New Year's Eve 1975 show at the Tower Theatre, Upper Darby, Pennsylvania, along with "Darkness On The Edge Of Town" and "The Promise". [28] Rolling Stone noted that in concert the song "draws its power from a deeper well, palpably accelerating with pensive desperation as Danny Federici's sorrowful organ clouds over Roy Bittan's ballerina piano figure. Another interpretation of the song is that it is a possible realization of the potential inherent in "Thunder Road". [2] Sony recording logs show it was first recorded on July 2, 1977 at Atlantic Studios, New York, NY, by Bruce alone at the piano. [7] The first verse is accompanied only by piano and opens with the narrator singing that: Max Weinberg's drum rim taps signal a somewhat faster pace for the second verse. "Racing in the Street" is a song by Bruce Springsteen from his 1978 album Darkness on the Edge of Town. The song virtually disappeared from Springsteen's concert repertoire in the following years, appearing just a few times on the 1995–1997 solo Ghost of Tom Joad Tour played on acoustic guitar (and usually accompanied by future E Street Band violinist Soozie Tyrell). We're goin' racin' in the street We take all the action we can meet And we cover all the northeast state When the strip shuts down we run 'em in the street From the fire roads to the interstate Some guys they just give up living And start dying little by little piece by piece Some guys come home from work and wash up Then go racin' in the street In 2010, Justin Townes Earle recorded it as the B-side to the digital single "Christchurch Woman". According to a song list from May 1977, included in the notebook provided with "The Promise: The Darkness On The Edge of Town Story" box set, it was one of the "new songs" for his next album. [31] Other artists who have covered the song include Emmylou Harris on her 1982 live album Last Date and Queen's Roger Taylor on his 1984 solo album Strange Frontier. [19] While romanticization of the ordinary, anonymous Americans found in "Racing in the Street" is common in rock, Springsteen's detailed depiction of them in this song shows real understanding and compassion, perhaps due to his having lived among them. [23], Springsteen has called "Racing in the Street" one of his favorite songs. [7][9][10], However, after an instrumental break the third verse unexpectedly takes place with again only piano behind it. [9], Writer Greil Marcus sees "Racing in the Street" as picking up the characters of various Beach Boys songs fifteen years later in their lives, never finding anywhere else the freedom they found in their cars and driving forever towards a dead end that they could see but not wish away or reach. 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