Artists. The skinless nature of the figure alludes to the vulnerability of the body and the fragility of life as Masson witnessed in the trenches. The animated string instrument sawing its own strings with a bow suggests both sex and destruction while the main figure is shown without a phallus and instead leaks bodily fluid from a cavity. Masson entwickelte während seiner Zeit mit den Surrealisten im Paris der 1920er und 1930er Jahre eine lyrisch-spontane, abstrakte Malweise (psychischer Automatismus / écriture automatique). Ways to support us. Ideas. Donate. Find more works of this artist at Wikiart.org – best visual art database. Im Jahre 1928 illu… Im Jahre 1928 illustrierte Masson unter anderem mit 150 Radierungen den von Louis Aragon unter dem Pseudonym Albert de Routisie veröffentlichten erotischen Roman Le Con d'Irène (deutsch: Irènes Möse). https://de.wikipedia.org/w/index.php?title=André_Masson&oldid=191097266, Mitglied der American Academy of Arts and Letters, „Creative Commons Attribution/Share Alike“, französischer Maler, Grafiker und Bildhauer, Ina Busch, Simon Spierer, Ina Boike, Lutz Fichtner, Valentina Anker, Ernst Wegener, Wolfgang Fuhrmannek: Ein Wald der Skulpturen. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. [Internet]. Ideas. Timelines. After experiencing the violence and chaos of World War I, Masson incorporated brutal, disembodied images into his paintings with unprecedented graphic force. Masson war auch ein enger Freund von Georges Bataille, der zu Beginn der 1930er Jahre die „dissidenten“ Surrealisten um sich sammelte. Yale French Studies / The curves of these lines and bodily elements are complex. A thing I used to do would be to throw a string onto a blank sheet of paper: what you see appear are movements of an undeniable grace." Complete discomfort in a cold delirium. In an image of swirling, intertwining, erotic forms, Masson mingles symbols of life and death. Sammlung. André Masson, in full André-Aimé-René Masson, (born January 4, 1896, Balagny, Oise, France—died October 28, 1987, Paris), noted French Surrealist painter and graphic artist. Contact Us. The following year Masson became involved with Surrealism, and by 1927 there were depictions of physical conflicts in his animal world: fish, birds, insects, and horses engaged in battle, as well as scenes of slaughter, massacres, copulation and rape. He fought in World War I and was severely wounded. January 19, 2015, By Doris A. Birmingham / July 19, 2016, By Martin Ries / Masson soon became the foremost practitioner of automatic writing, which, when applied to drawing, was a form of spontaneous composition intended to express impulses and images arising directly from the unconscious. 1977 wurde er als Ehrenmitglied in die American Academy of Arts and Letters gewählt.[2]. Blog. Irritating furniture. Art Journal, N.Y. / A central figure is crushed by his surroundings while all around him are symbols of eroticism, death and destruction. She leans back, an apple in her mouth to evoke the narrative of Adam and Eve, with its implications on both the origins of life and sexual temptation. Artists . André Masson war ein Schwager des einflussreichen Psychoanalytikers Jacques Lacan. Masson studied painting in Brussels and then in Paris. His work was the subject of major retrospective exhibitions in Basel, Switzerland (1950) and New York City (1976). Diese Seite wurde zuletzt am 6. Damit war Masson einer der ersten Maler, die bewusst Zugang zum Irrationalen, Unbewussten suchten. There are several allusions to the trauma and aftereffects of war throughout the piece. Eine lebenslange Freundschaft verband ihn allerdings mit dem Ethnologen und Schriftsteller Michel Leiris, der ebenfalls den Surrealisten angehörte. Aug 10, 2020 - Explore Robert Sobsey's board "Andre Masson", followed by 564 people on Pinterest. The female figure sits to the right, disemboweled, with a large shell-like vagina while her arm drapes across a phallic trunk. This chaotic and multifaceted drawing demonstrates Masson's use of the automatic method. André Masson (* 4. Yet, eventually all the elements blend together and one cannot determine where it begins or ends. The male figure's torso is also splayed as he tilts his head back, touching the female's shell (vagina) in an act of coital pleasure. This is reinforced by setting of the tower within an abyss from which there is no escape. André Masson. This theme is amplified by the woman who is transforming into a harp, but also remains a grotesque, fleshy distortion. The split skull resembles the pomegranate from the story of Persephone, who is doomed to remain with Hades in the underworld because she ate its seeds. ©2020 The Art Story Foundation. The linework is varied, ranging from thick to thin and includes some broken lines that show the unpremeditated nature of the work; he drew as inspiration came to him. 1924 schloss er sich den Surrealisten um André Breton an, verließ die Gruppe jedoch bald wieder, als die Mitglieder sich immer öfter uneinig waren und in Streit gerieten. See more ideas about Masson, Surrealism, Art. André-Aimé-René Masson was born on January 4, 1896 in the small town of Balagny (Oise), north of Paris. Januar 1896 in Balagny-sur-Thérain, Département Oise; † 28. Movements. André Masson was one of the pioneers of Surrealism. Bei Ausbruch des Ersten Weltkriegs meldete er sich als Freiwilliger, was ihm 1917 eine schwere Verletzung einbrachte. Posing a sharp contrast to these symbols of life and regeneration are the eviscerated torsos of both figures. Masson studied painting in Brussels and then in Paris. Movements. Human figures metamorphize into musical instruments and disintegrate into incomplete forms. André Masson, noted French Surrealist painter and graphic artist. The books and articles below constitute a bibliography of the sources used in the writing of this page. Der französische Künstler André Masson (1896-1987) zählt mit seinem höchst umfangreichen Werk, welches über die Jahre hinweg durch einen permanenten stilistischen Wandel geprägt ist, zu einem der vielfältigsten Persönlichkeiten im Frankreich des ausgehenden 20. Oktober 1987 in Paris) war ein französischer Maler, Grafiker und Bildhauer. My painting tends towards expressionist paroxysm I recognize it. HYPERALLERGIC / The viewer's attention is drawn to the center of the piece, which evokes a human presence. June 2012, By Joseph Nachvatal / Articles from Britannica Encyclopedias for elementary and high school students. Andre Masson was possibly the most consistent portrayer of cruel confrontations and bizarre combat in Surrealism. Masson stated that the image "came from a memory of war...a figure lying in the trench with his head split open." Anfangs war Masson vom Kubismus beeinflusst. Masson's automatic technique and cosmic narratives were visually and thematically important to the development of. 2009, By Burt A. Folkart / Masson studierte bereits mit 14 Jahren an der Kunstakademie in Brüssel, wo er ab 1904 lebte, und setzte seine Studien in Paris an der École Nationale Supérieure des Beaux-Arts bei Paul Baudoin fort. André Masson war Teilnehmer der documenta 1 (1955), der documenta II (1959) sowie der documenta III im Jahre 1964 in Kassel. Artes Magazine / June 1987, By André Masson / The Art Bulletin / Vol. Two large figures can be deciphered, but both display elements of male and female genitalia. André Masson. He specialized in dreamscapes of writhing mythological figures and tortured natural forms. About The Art Story a 501(c)3 Non-Profit Org. Masson’s paintings and drawings from the late 1920s and the ’30s are turbulent, suggestive renderings of scenes of violence, eroticism, and physical metamorphosis. 1964. The viewer is trapped in a nightmare. This piece thus provides an example of quintessential automatism and gives the viewer a valuable insight into the processes behind it. Neben zahlreichen Gemälden – für die er sich mitunter auch ungewöhnlicher Materialien wie Lehm oder Sand bediente – entstanden zudem Skulpturen, Bühnenbilder und Buchillustrationen. Für das Théatre Odéon in Paris fertigte Masson ein Deckengemälde. Troubling metamorphoses. All that very grating. Er hatte zu Beginn der 1920er Jahre in der rue Blomet in Paris ein Atelier; sein Nachbar, mit dem er Freundschaft schloss, war Joan Miró. These joint symbols of destruction and eroticism explore the longstanding associations between sex and death. Verband ihn allerdings mit dem Ethnologen und Schriftsteller Michel Leiris, der ebenfalls den Surrealisten angehörte articles below constitute bibliography! Posing a sharp contrast to these symbols of life and death all of these elements acts a... 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